For some
the martial arts can be all-consuming; a constant in their life that they
pursue without varying degrees of intensity over the course of a lifetime. It
may be the closest that some people get to a religion, and like religion there
is the expectation of reward for their dedication.
Exponents
need to have some confidence in the martial art they are pursuing otherwise
they would chose another system or find something else to occupy their time.
Students are told to train hard and in time they will master their chosen art;
they aspire to be just like their teacher. We have a social need to attach
ourselves to something we see as having importance or kudos, so we like to
think our instructor and our school is the best. Go down the road to the next
martial arts school and their student’s have the same belief.
What I
find interesting is the mind-set of the student who is still dedicated to their
art after a decade or more but has not advanced to the stage where they can use
their art as they believe they should be able to. They begin to question the
promise that dedication would see its own rewards. They begin to wonder not
only “am I good enough” but “will I ever be good enough”.
Whenever
you see people in this situation, the question they always seem to ask is “how
do you make it work”? In response my thoughts are ‘have they ever seen evidence
that it does work’. Usually they then proceed to tell of the wondrous skills of
their instructors, and that in their mind demonstrates that the potential of
the art really exists but they have been unable to attain it.
Decades
ago, my experience was that much of the art I was learning did not
translate to battle. I remember my instructor going to a competition and
seeing a guy from Asia who had a very simple strategy of a straight kick
followed up by a straight punch and he took out most of the competitors, but he
had obviously trained that combination so that it worked for him nine
times out of ten.
The
lesson was that you can get something to work if you really focus on it and
make it a constant. The fancier the technique the less likely it will work in
battle, especially when you are up against multiple opponents. Resistance tends
to wreck the intended implementation of techniques. This however is not what
people want to hear, as all those cool moves that their art has to offer is
half the fun of pursuing it. The disease of the martial arts is the attraction
to shapes found in techniques. It attracts a lot of people to the arts and it
cons even more.
I find it
interesting and annoying at the same time that my instructor essentially
abandoned the art he had been taught and created something different without
realising it. In the process he totally rebuilt his coordination so that
everything flowed from his footwork which drove his accelerated mass. His
interest in multiple attackers shaped his new art to the point where if it
didn't work against a high functioning group of attackers, then it was
discarded.
Unfortunately he thought he had just modified the art that he had learned, so he taught us part of his original art and part of his new art. Some enterprising young soul will hopefully reproduce his art one day, and at last there might be some decent you-tube videos on multiple attackers. Like I said, you got to have faith.
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